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Telecom Prospect 2004 NEW ART
NEW ZEALAND exhibition...
Peter Robinson City Gallery
30 May - 22 Aug 2004
Curatorial Statement | Artist's Résumé


Ngai Tahu

Born in Ashburton, 1966
Lives in Auckland

Bachelor of Fine Arts, School of Fine Arts, University of Canterbury (1988); Diploma of Teaching, Christchurch College of Education (1990)


Selected solo exhibitions

2004

Club Foot, Peter McLeavey Gallery, Wellington
  Neo Conceptual Primitivism, Anna Bibby Gallery, Auckland
   
2003

Neo Conceptual Primitivism, Brooke-Gifford Gallery, Christchurch

  Divine Comedy, City Gallery Wellington
   
2002

The Return of The Hand, Peter McLeavey Gallery, Wellington

  Black Holes Suck And So Do I, Galerie Kapinos, Berlin
  Joytwotimesex, Anna Bibby Gallery, Auckland
  Divine Comedy, Auckland Art Gallery Toi o Tamaki
  Divine Comedy, SOFA Gallery, Christchurch
   
2001 Bi-Polar, New Zealand Pavilion, Venice Biennale, Venice
  Cipher, 5th Gallery, Dublin
  Divine Comedy, Govett-Brewster Art Gallery, New Plymouth


Selected group exhibitions

2004

Cut-Outs, Anna Bibby Gallery, Auckland

   
2003 Wonderland, Artspace, Auckland
   
2002 Iconoclash, ZKM, Karlsruhe
  Centre of Attraction - 8th Baltic Triennale of International Art, Vilnius
  Media City Seoul, Museum of Modern Art, Seoul
  Rest In Space, Kunstnerhus Oslo
   
2001 Superman in Bed - Collection Schürmann Kunst für Gegenwart und Fotografie, Museum am Ostwall, Dortmund
  After Killeen: social observation in recent art, Artspace, Auckland
  ...Troubler l'écho du temps, oeuvres de la collection, Musée d'Art Contemporain de Lyon, Lyon


Residencies

2000

Govett-Brewster Art Gallery, New Plymouth

1999 Künstlerhaus Bethanien, Berlin
1998 Artspace Residency, Sydney
1996 Goethe Institut, Düsseldorf
1995 Ludwig Forum Residency, Aachen


Selected bibliography

Gregory Burke (ed), Cultural safety: contemporary art from New Zealand, (exhibition catalogue), Frankfurter Kunstverein, Germany and City Gallery Wellington, 1995

Gregory Burke, Divine Comedy - Peter Robinson, (exhibition catalogue), Govett-Brewster Art Gallery, 2001

Gregory Burke (ed), Bi-Polar Jacqueline Fraser and Peter Robinson, (exhibition catalogue),The New Zealand Pavilion at the 49th Venice Biennale, 2001

Gregory Burke and Hanna Scott (eds), Drive: power> progress>desire (exhibition catalogue), Govett-Brewster Art Gallery, 2000

Robert Leonard, '3.125% Pure - Peter Robinson Plays the Numbers Game', Art +Text 50, 1995, pp.18-20

Robert Leonard, 'Peter Robinson's strategic plan', Art Asia Pacific 16, 1997, pp. 70-75

Felicity Milburn, Point of infinite density, (exhibition catalogue), Robert McDougall Contemporary Art Annex, Christchurch, 1998

Anna Miles, 'Peter Robinson' in Toi Toi Toi: three generations of artists from New Zealand, (exhibition catalogue), Museum Fridericianum, Kassel, and Auckland Art Gallery Toi o Tamaki, 1999

Anna Miles, 'Peter Robinson, Gordon Walters and the corporate koru: redesigning a New Zealand identity', Art Asia Pacific 23, 1999, pp. 73-81

Megan Tamati-Quennell, 'Peter Robinson' in Universalis, (exhibition catalogue), Sao Paulo Biennale, 1996


Additional links

http://www.creativenz.govt.nz/venice-2001/artists/robinson/robinson.html